In this article, Aimee Anctil explores the oft-overlooked racist and homophobic tropes in 'Mean Girls' (2004) and Scott Pilgrim vs. The World (2010). Anctil reminds us that "we can appreciate art, we must also criticize it for what it is. No art is without flaw, and no film is without its biases."

Aras Mommertz reviews Sara Wylie's short documentary 'The Garden Collective.' This film documents the Prison for Women (P4W) Memorial Collective, telling tragic stories of injustice in the Kingston women's prison which closed in 2000, particularly histories of violence inflicted upon Indigenous women. 'The Garden Collective' is also a story of colonial brutality, the violence that the Canadian justice system continues to inflict, and the immense project for justice and healing that this collective has undertaken.

Katie Pedlar discusses Kim O'Bomsawin's impactful new documentary, Call Me Human. This film follows Innu poet Joséphine Bacon, though she rejects the title as "poet" does not exist in Innu-aimun. As part of a generation grappling with the effects of centuries of violent oppression, Bacon's work serves to nourish Innu language, resisting colonial suffocation of Innu language and culture.