Opinion

Op-Eds

Screen & Souls
By
Madison Mäe Adsetts
and
·
November 11, 2025
A plea for wonder in a world that has mistaken data for divinity.
The Death of the Filler Episode
By
Indigo Moran
and
·
October 16, 2025
The disappearance of dead-end plots is symptomatic of a new age of TV writing.
Gentrifying the Heart (or On Polyamory, Power, and Who Gets to Be Really Radical in Peterborough)
Gentrifying the Heart (or On Polyamory, Power, and Who Gets to Be Really Radical in Peterborough)
By
Marisol Campos-Navarrete
and
·
August 19, 2025
What does a political economy of polyamory look like?
Promises and Precarity: How Canadian Policy and Trent's Budget Strategy Exploit International Students
Promises and Precarity: How Canadian Policy and Trent's Budget Strategy Exploit International Students
By
Emma Rivero-Uribe
and
·
August 19, 2025
An examination of how Canadian immigration policy and Trent University’s budget strategy place international students in financially and legally precarious positions
U.S. Isolation and the Coalition of the Willing
U.S. Isolation and the Coalition of the Willing
By
J.A. Forrester
and
·
March 1, 2025
"America First" is the present refrain of the dogmatic American right wing, but from where exactly did this mantra arise? James Forrester details a history of U.S. exceptionalism which has seen the country further its own agenda while making the rest of the world pay.
Gentrifying the Heart (or On Polyamory, Power, and Who Gets to Be Really Radical in Peterborough)
Gentrifying the Heart (or On Polyamory, Power, and Who Gets to Be Really Radical in Peterborough)
By
Marisol Campos-Navarrete
and
·
August 19, 2025
What does a political economy of polyamory look like?
Promises and Precarity: How Canadian Policy and Trent's Budget Strategy Exploit International Students
Promises and Precarity: How Canadian Policy and Trent's Budget Strategy Exploit International Students
By
Emma Rivero-Uribe
and
·
August 19, 2025
An examination of how Canadian immigration policy and Trent University’s budget strategy place international students in financially and legally precarious positions
U.S. Isolation and the Coalition of the Willing
U.S. Isolation and the Coalition of the Willing
By
J.A. Forrester
and
·
March 1, 2025
"America First" is the present refrain of the dogmatic American right wing, but from where exactly did this mantra arise? James Forrester details a history of U.S. exceptionalism which has seen the country further its own agenda while making the rest of the world pay.
Innocence Abroad ...The Americans are coming, the Americans are coming!
Innocence Abroad ...The Americans are coming, the Americans are coming!
By
J.A. Forrester
and
·
February 13, 2025
A simple question: Is the United States a global empire in the colonial tradition?
4 Years Left: The World Climate Clock and the Recognition of Indigenous Land Sovereignty
4 Years Left: The World Climate Clock and the Recognition of Indigenous Land Sovereignty
By
Ciara Richardson
and
·
February 10, 2025
Ciara Richardson examines the World Climate Clock initiative and its efforts to raise awareness about anthropogenic climate change before it's too late, specifically the project's investment in Indigenous Land Sovereignty as a means to combating the climate crisis.
You Are Not "Just A Girl." Stop Saying That
You Are Not "Just A Girl." Stop Saying That
By
Louanne Morin
and
·
January 23, 2025
Are you coquette? Do you know girl math? Do you subscribe to the philosophy of care ethics? From social media to academia, Louanne Morin details the ongoing antifeminist retrenchment.
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Little Barbershop of Horrors: The Bosses Revolt
Little Barbershop of Horrors: The Bosses Revolt
By
Cameron Noble
and
·
April 16, 2021
In this op-ed, Cameron Noble tracks the rise of anti-mask, anti-vax, anti-lockdown mobilization in our city -- including how local business owners are working together to 'end the lockdowns.'
Slander in Cinema
Slander in Cinema
By
Aimée Anctil
and
·
April 15, 2021
In this article, Aimee Anctil explores the oft-overlooked racist and homophobic tropes in 'Mean Girls' (2004) and Scott Pilgrim vs. The World (2010). Anctil reminds us that "we can appreciate art, we must also criticize it for what it is. No art is without flaw, and no film is without its biases."