A Lifetime with The Lord of the Rings
A Lifetime with The Lord of the Rings
By
Wesley Braid
and
·
February 17, 2026
Wesley Braid recently watched his (second) favourite trilogy of all time in the theatres and breaks down the once in a life time experience.
Shakespeare Pub Night: An English Department Divorce Party
Shakespeare Pub Night: An English Department Divorce Party
By
Allen Barnier
and
·
February 17, 2026
Stephen Brown and Andrew Loeb present the Trent English Department's 24th annual Shakespeare Pub Night.
Pathologic 3: Transcending the Medium
Pathologic 3: Transcending the Medium
By
Cirilla Bowman
and
·
February 13, 2026
A game about the transcendence of humanity has transcended itself.
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Nate Silas' "Wandering Lunacy": More Than Just a Charity Single
Nate Silas' "Wandering Lunacy": More Than Just a Charity Single
By
Allen Barnier
and
·
January 21, 2024
On Friday, January 19th, 2024, Nate Silas released his new single called “Wandering Lunacy”. Silas is a singer-songwriter and folk music artist from Langford, British Columbia, who uses lyrics as a way of storytelling.
So, What Is a Canadian Feature Film?
So, What Is a Canadian Feature Film?
By
J.A. Forrester
and
·
January 20, 2024
Community contributor, J.A. Forrester, looks back at the history of Canadian cinema in an attempt to answer some age-old questions: What is a Canadian film, really? And who gets to decide?
Spider-Trans: The Arachnid Gender Allegory in “Across The Spider-Verse”
Spider-Trans: The Arachnid Gender Allegory in “Across The Spider-Verse”
By
Allen Barnier
and
·
January 19, 2024
Author staff writer Allen Barnier examines the trans subtext laid in Spider-Woman Gwen Stacy's characterization in the 2023 film Spider-Man: Across the Spider-Verse, weaving a web between transness, fanon, and everyone's favourite web-slinger(s)
Highly Likely: Book Talk & Dad Rock with Niko Stratis
Highly Likely: Book Talk & Dad Rock with Niko Stratis
By
Evan Robins
and
·
February 12, 2026
Two women with Welsh dads talk about working, writing, and what exactly constitutes “dad rock.”
Sketchy Business: TUAAC's Third Comedy Show a Success
Sketchy Business: TUAAC's Third Comedy Show a Success
By
Indigo Moran
and
·
January 28, 2026
"I’ve always really loved acting, so [sketch] has been a really great way to pursue that in university," said co-organizer Drew Freemantle.
Anne Shirley Theatre Company Presents: Five Lesbians Eating A Quiche
Anne Shirley Theatre Company Presents: Five Lesbians Eating A Quiche
By
Allen Barnier
and
Indigo Moran
·
January 28, 2026
Arthur asks the five lesbians if they eat the quiche.
ReFrame Review: INGA
ReFrame Review: INGA
By
Wesley Braid
and
·
January 28, 2026
INGA is an emotional look into the lives of Ukrainians displaced by Russia's 2022 invasion of Ukraine.
Cruelty Maintains Gnostic Front's INDUSTRY STANDARD
Cruelty Maintains Gnostic Front's INDUSTRY STANDARD
By
David King
and
·
January 28, 2026
The latest collaboration from Gemunu de Silva and Gnostic Front is a devastating glimpse into a global death machine.
ReFrame Review: At All Kosts
ReFrame Review: At All Kosts
By
Cirilla Bowman
and
·
January 28, 2026
"At All Kosts" gives weight to the common sentiment that art is and of itself an act of resistance.
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PJ Thomas Presents Upcoming Poetry-Video Project "12 Weeks of Bliss"
PJ Thomas Presents Upcoming Poetry-Video Project "12 Weeks of Bliss"
By
Mikaela Lewis
and
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February 13, 2024
Journalist Mikaela Lewis sits down with local artists, including poet PJ Thomas, to discuss their upcoming project, "12 Weeks of Bliss"
St. James' "Gentleman's Guide to Love and Murder" Review
St. James' "Gentleman's Guide to Love and Murder" Review
By
Ian Vansegbrook
and
·
February 13, 2024
A Gentleman's Guide to Love and Murder is a raunchy, rowdy musical about a young man who, after the death of his mother, realizes that he is eighth in line for the Earldom of Highhurst. Realizing his D’ysquith heritage, he sets out to shorten the line and wrest the title for himself. Adapted from the 1907 novel The Autobiography of the Criminal by Roy Horniman, the play debuted on Broadway in late 2013, and quickly became a smash hit, winning four Tony awards in 2014.