Book Review of Notes on a Beermat by Nicholas Pashley
Book Review of Notes on a Beermat by Nicholas Pashley
By
J.A. Forrester
and
·
February 18, 2026
Nicholas Pashley's "Notes on a Beermat" is a critique of modern pubs and how they have fallen from their traditional role within communities.
A Lifetime with The Lord of the Rings
A Lifetime with The Lord of the Rings
By
Wesley Braid
and
·
February 17, 2026
Wesley Braid recently watched his (second) favourite trilogy of all time in the theatres and breaks down the once in a life time experience.
Shakespeare Pub Night: An English Department Divorce Party
Shakespeare Pub Night: An English Department Divorce Party
By
Allen Barnier
and
·
February 17, 2026
Stephen Brown and Andrew Loeb present the Trent English Department's 24th annual Shakespeare Pub Night.
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Arthur Book Club Goes to Summer Camp
Arthur Book Club Goes to Summer Camp
By
Evan Robins
and
Abbigale Kernya
·
August 6, 2024
Evan and Abbigale go back to the 90s for an appropriately summery splat-fest in Gretchen Felker-Martin's gory gesamtkunstwerk, Cuckoo. We might be hyping it up a bit much, which raises the question: will it go over better than the last one?
“It feels like coming home”: Trent Alum Band I, the Mountain Performs at Traill’s Music on the Hill
“It feels like coming home”: Trent Alum Band I, the Mountain Performs at Traill’s Music on the Hill
By
Abbigale Kernya
and
·
July 26, 2024
On Thursday, July 25th, the Kitchener-based Canadian folk band I, the Mountain took to the stage at the Jalynn Bennett Amphitheatre for one of the six musical events part of Catherine Parr Traill College’s Music on the Hill series this summer. Arthur co-editor, Abbigale Kernya had the opportunity to speak to the band before their performance to discuss their musical origin, upcoming releases, and their nostalgic connection to Peterborough.
Trent University Professor Aaron Kreuter Presents "Rubble Children" at Take Cover Books
Trent University Professor Aaron Kreuter Presents "Rubble Children" at Take Cover Books
By
Abbigale Kernya
and
·
July 11, 2024
On the evening of July 10th, Trent University English literature professor, Aaron Kreuter, presented the Peterborough launch of his newly-released short story collection, Rubble Children.
Pathologic 3: Transcending the Medium
Pathologic 3: Transcending the Medium
By
Cirilla Bowman
and
·
February 13, 2026
A game about the transcendence of humanity has transcended itself.
Highly Likely: Book Talk & Dad Rock with Niko Stratis
Highly Likely: Book Talk & Dad Rock with Niko Stratis
By
Evan Robins
and
·
February 12, 2026
Two women with Welsh dads talk about working, writing, and what exactly constitutes “dad rock.”
Sketchy Business: TUAAC's Third Comedy Show a Success
Sketchy Business: TUAAC's Third Comedy Show a Success
By
Indigo Moran
and
·
January 28, 2026
"I’ve always really loved acting, so [sketch] has been a really great way to pursue that in university," said co-organizer Drew Freemantle.
Anne Shirley Theatre Company Presents: Five Lesbians Eating A Quiche
Anne Shirley Theatre Company Presents: Five Lesbians Eating A Quiche
By
Allen Barnier
and
Indigo Moran
·
January 28, 2026
Arthur asks the five lesbians if they eat the quiche.
ReFrame Review: INGA
ReFrame Review: INGA
By
Wesley Braid
and
·
January 28, 2026
INGA is an emotional look into the lives of Ukrainians displaced by Russia's 2022 invasion of Ukraine.
Cruelty Maintains Gnostic Front's INDUSTRY STANDARD
Cruelty Maintains Gnostic Front's INDUSTRY STANDARD
By
David King
and
·
January 28, 2026
The latest collaboration from Gemunu de Silva and Gnostic Front is a devastating glimpse into a global death machine.
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ReFrame Review: Threshold
ReFrame Review: Threshold
By
Evan Robins
and
·
January 24, 2022
In time for the 2022 ReFrame Film Festival, Evan Robins covers the Brazilian documentary 'Threshold (Limiar)', an intimate exploration of transness, feminism, and parenthood.
ReFrame Review: Mary Two-Axe Earley + Without a Whisper
ReFrame Review: Mary Two-Axe Earley + Without a Whisper
By
Brazil Gaffney-Knox
and
·
January 20, 2022
These two films serve as poignant reminders that Indigenous women have long been excluded from the feminist movement, and emancipatory victories enjoyed by white women. From gender-discrimination in the Indian Act to the white-washed story of feminism in the U.S., these films place Indigenous women in the lineage of struggle for gender justice.