Arthur is making our Twitch livestream debut on April 1st, 2021, at 8:00pm with our First Annual Fundraiser and Telethon! Over the upcoming days, we are aiming to hit our 2021 fundraising goal of $10,000.
Your money goes to: •Good paying jobs for content creators •Year-round operation •New tech for content production •The freedom to remain independent
Kiki Paterson reviews Red Fever, the follow-up to Niel Diamond and Catherine Bainbridge’s award-winning film Reel Injun. The film asks the question “why do they love us so much?” and informs viewers of willful lies about Indigenous People still present today and throughout history.
Multidisplinary artist and author Vivek Shraya delivered the 29th Annual Margaret Laurence Lecture at Trent's Student Centre on January 22nd. With feminism at the core of her work, Shraya invited attendees to reimagine and reclaim femininity through a lens other than their own.
It feels impossible to talk about No Other Land in any way which doesn’t short-change the thing that it actually is—a technically exquisite film that documents the sobering reality of the Israeli-occupied West Bank and the systemic displacement and violent repression of the Palestinians who live there.
Couzyn van Heuvlen's massive sculptural exhibition is a prominent display of Inuit celebration and resilience on display at the AGP until January 4th, 2026.
"It all started with one night I was sort of contemplating things in an existential moment, going, who am I? What's happening? And I looked up at the night sky."
Janine Joseph reviews canadian director Lulu Wei's 'There's No Place Like This, Anyplace' a documentary about the famous and grand Honest Ed's--a landmark in Toronto's downtown. The fall of Honest Ed's is the story of gentrification and this documentary is a clear snapshot of the ever looming force of condo development and rent hikes in Canada's largest city.
Liam Parker reviews director Jennifer Taylor's 'For the Love of Rutland'-- a tale of 100 Syrian refugees in a small town in Vermont, USA. Parker concludes that this documentary "masterfully" balances this story about small-town life, through civil disputes over xenophobia and classism to very close-to-home scenes of the opioid crisis--in a place not all that unlike Peterborough.
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