Shakespeare Pub Night: An English Department Divorce Party
Shakespeare Pub Night: An English Department Divorce Party
By
Allen Barnier
and
·
February 17, 2026
Stephen Brown and Andrew Loeb present the Trent English Department's 24th annual Shakespeare Pub Night.
Pathologic 3: Transcending the Medium
Pathologic 3: Transcending the Medium
By
Cirilla Bowman
and
·
February 13, 2026
A game about the transcendence of humanity has transcended itself.
Highly Likely: Book Talk & Dad Rock with Niko Stratis
Highly Likely: Book Talk & Dad Rock with Niko Stratis
By
Evan Robins
and
·
February 12, 2026
Two women with Welsh dads talk about working, writing, and what exactly constitutes “dad rock.”
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ReFrame Review: Call Me Human
ReFrame Review: Call Me Human
By
Katie Pedlar
and
·
January 21, 2021
Katie Pedlar discusses Kim O'Bomsawin's impactful new documentary, Call Me Human. This film follows Innu poet Joséphine Bacon, though she rejects the title as "poet" does not exist in Innu-aimun. As part of a generation grappling with the effects of centuries of violent oppression, Bacon's work serves to nourish Innu language, resisting colonial suffocation of Innu language and culture.
ReFrame Review: There's No Place Like This, Anyplace
ReFrame Review: There's No Place Like This, Anyplace
By
Janine Joseph
and
·
January 19, 2021
Janine Joseph reviews canadian director Lulu Wei's 'There's No Place Like This, Anyplace' a documentary about the famous and grand Honest Ed's--a landmark in Toronto's downtown. The fall of Honest Ed's is the story of gentrification and this documentary is a clear snapshot of the ever looming force of condo development and rent hikes in Canada's largest city.
ReFrame Review: For the Love of Rutland
ReFrame Review: For the Love of Rutland
By
Liam Parker
and
·
January 18, 2021
Liam Parker reviews director Jennifer Taylor's 'For the Love of Rutland'-- a tale of 100 Syrian refugees in a small town in Vermont, USA. Parker concludes that this documentary "masterfully" balances this story about small-town life, through civil disputes over xenophobia and classism to very close-to-home scenes of the opioid crisis--in a place not all that unlike Peterborough.
Sketchy Business: TUAAC's Third Comedy Show a Success
Sketchy Business: TUAAC's Third Comedy Show a Success
By
Indigo Moran
and
·
January 28, 2026
"I’ve always really loved acting, so [sketch] has been a really great way to pursue that in university," said co-organizer Drew Freemantle.
Anne Shirley Theatre Company Presents: Five Lesbians Eating A Quiche
Anne Shirley Theatre Company Presents: Five Lesbians Eating A Quiche
By
Allen Barnier
and
Indigo Moran
·
January 28, 2026
Arthur asks the five lesbians if they eat the quiche.
ReFrame Review: INGA
ReFrame Review: INGA
By
Wesley Braid
and
·
January 28, 2026
INGA is an emotional look into the lives of Ukrainians displaced by Russia's 2022 invasion of Ukraine.
Cruelty Maintains Gnostic Front's INDUSTRY STANDARD
Cruelty Maintains Gnostic Front's INDUSTRY STANDARD
By
David King
and
·
January 28, 2026
The latest collaboration from Gemunu de Silva and Gnostic Front is a devastating glimpse into a global death machine.
ReFrame Review: At All Kosts
ReFrame Review: At All Kosts
By
Cirilla Bowman
and
·
January 28, 2026
"At All Kosts" gives weight to the common sentiment that art is and of itself an act of resistance.
ReFrame Review: Ocean Seen From The Heart
ReFrame Review: Ocean Seen From The Heart
By
Indigo Moran
and
·
January 28, 2026
Iolande Cadrin-Rossignol and Marie-Dominique Michaud's "Ocean Seen From The Heart" is an empathy-driven call to protect marine biodiversity.
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Give A Sheet Press Revived at Take Cover Books
Give A Sheet Press Revived at Take Cover Books
By
Cirilla Bowman
and
·
December 16, 2025
Give A Sheet Press' first offerings in 30 years feature poetry and short stories from local authors and artists.
Love It Or Hate It, It's "One Battle After Another"
Love It Or Hate It, It's "One Battle After Another"
By
Cirilla Bowman
and
·
December 4, 2025
"One Battle After Another" is a three-hour masterpiece of shit I love to hate.