A Lifetime with The Lord of the Rings
A Lifetime with The Lord of the Rings
By
Wesley Braid
and
·
February 17, 2026
Wesley Braid recently watched his (second) favourite trilogy of all time in the theatres and breaks down the once in a life time experience.
Shakespeare Pub Night: An English Department Divorce Party
Shakespeare Pub Night: An English Department Divorce Party
By
Allen Barnier
and
·
February 17, 2026
Stephen Brown and Andrew Loeb present the Trent English Department's 24th annual Shakespeare Pub Night.
Pathologic 3: Transcending the Medium
Pathologic 3: Transcending the Medium
By
Cirilla Bowman
and
·
February 13, 2026
A game about the transcendence of humanity has transcended itself.
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The Arthur Literary Review: Mark Leyner is the Right Kind of Sleazy
The Arthur Literary Review: Mark Leyner is the Right Kind of Sleazy
By
Dante Pettapiece
and
·
February 18, 2021
Resident literary critic, Dante Pettapiece, dives into Mark Leyner's recent book The Last Orgy of the Divine Hermit.
The Showstopper: How COVID-19 has Affected Local Performing Arts Organizations
The Showstopper: How COVID-19 has Affected Local Performing Arts Organizations
By
Elizabeth Mitton
and
·
February 3, 2021
One of the first to close, and presumably one of the last to reopen due to the ongoing COVID-19 pandemic, Peterborough-Nogojiwanong’s arts and culture scene has remained out of the spotlight for almost a year. In this article, Elizabeth Mitton goes behind the scenes of the Peterborough Arts Recovery Alliance, an ad-hoc group which represents 13 local performing arts organizations, to discuss the impacts the pandemic has had on the arts, and how they’re aiming to come back even stronger.
Gearing Up for the 2021 RPM Challenge
Gearing Up for the 2021 RPM Challenge
By
Spencer Wells
and
·
January 29, 2021
Spencer Wells highlights the upcoming Record Production Month Challenge - an internationally-recognized event that promotes anyone and everyone to produce music for the entire month of February. He is also working with Trent Radio to produce a series of shows that covers his progress in the challenge, as well as offering tips and advice on how to get started with the production process. Features an interview with Peterborough artist Victoria Stoddart.
Highly Likely: Book Talk & Dad Rock with Niko Stratis
Highly Likely: Book Talk & Dad Rock with Niko Stratis
By
Evan Robins
and
·
February 12, 2026
Two women with Welsh dads talk about working, writing, and what exactly constitutes “dad rock.”
Sketchy Business: TUAAC's Third Comedy Show a Success
Sketchy Business: TUAAC's Third Comedy Show a Success
By
Indigo Moran
and
·
January 28, 2026
"I’ve always really loved acting, so [sketch] has been a really great way to pursue that in university," said co-organizer Drew Freemantle.
Anne Shirley Theatre Company Presents: Five Lesbians Eating A Quiche
Anne Shirley Theatre Company Presents: Five Lesbians Eating A Quiche
By
Allen Barnier
and
Indigo Moran
·
January 28, 2026
Arthur asks the five lesbians if they eat the quiche.
ReFrame Review: INGA
ReFrame Review: INGA
By
Wesley Braid
and
·
January 28, 2026
INGA is an emotional look into the lives of Ukrainians displaced by Russia's 2022 invasion of Ukraine.
Cruelty Maintains Gnostic Front's INDUSTRY STANDARD
Cruelty Maintains Gnostic Front's INDUSTRY STANDARD
By
David King
and
·
January 28, 2026
The latest collaboration from Gemunu de Silva and Gnostic Front is a devastating glimpse into a global death machine.
ReFrame Review: At All Kosts
ReFrame Review: At All Kosts
By
Cirilla Bowman
and
·
January 28, 2026
"At All Kosts" gives weight to the common sentiment that art is and of itself an act of resistance.
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Playing to the Arc of the Evening: Bennett Bedoukian on Horseman, Pass By.
Playing to the Arc of the Evening: Bennett Bedoukian on Horseman, Pass By.
By
Louanne Morin
and
·
October 18, 2025
Free jazz history and sonic environment convene in the “instant compositions” of this instrumentalist duo.
The Death of the Filler Episode
The Death of the Filler Episode
By
Indigo Moran
and
·
October 16, 2025
The disappearance of dead-end plots is symptomatic of a new age of TV writing.